words: Guilherme Lucas; photos: Raquel Pinheiro
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Cavalheiro
Tulsa, a new band from Porto (at
least for me) were Cavalheiro’s opening act, in a short and brief concert,
however leaving very positive and pleasant impressions about their sound and
project for the near future. Haunted by a North American imaginary from Charles
Bukowski’s poetry to sounds that could belong to Velvet Underground and,
therefore, Cowboy Junkies or Mazzy Star, the band offered us a discrete sound
of a fragile lightness that, at times, ravishingly impresses, always
accompanied by an excellent vocalist/voice. It is a music of silences, of word,
and that needs to be listened with the necessary attention to this typology.
Passos Manuel stage, with a seated audience couldn’t be a better place for
it.Tulsa gave a good concert and are recomendable. Lets, therefore , wait for
new episodes from this very promising band.
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| Tulsa |
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While
I write, I remarkably notice that Cavalheiro is the Portuguese musical project
that I have been following for a longer time with the special attention of an
assumed fan of a well-kept (desired by me) secret, without breaks or
disappointments, since (practically) the dawn of this original project by Tiago
Ferreira. Had originally known him as a Veados com Fome musician, a very
interesting band I liked (I saw a good concert of them at Porto-Rio some ten
years ago), it was with pleasant surprise that I reacted to Cavalheiro’s
appearance. Surprise, because, since the first contact with the project, I
considered it completely audacious and of an uncommon beauty, with truly
fabulous songs, the best that have been made in this small corner since nearly
a decade. Since 2011 that I see myself, like a pilgrim, attending its albums
presentation concerts, always split between Passos Manuel or Maus Hábitos, in
what already looks like a tradition.
Once more, there I was, this time on the
release of its latest album called Falsa Fé. Cavalheiro (Tiago Ferreira)
offered the audience and excellent concert, in its informal and intelligently
ironic, but very professional way. Always supported by excellent musicians, the
songs were played with spot on depth and intensity. Even with several backline
problems along the show, the band never let on the nervousness that could come
from it. Quite the opposite, it attacked each song with enlightenment and mastery.
In Cavalheiro’s discography there are always gems; sometimes more, sometimes
fewer and I think the new album is at the same level of the previous ones,
which is always great to note, and, in that sense it also has three or four
gems for my personal taste. This to say that differente tastes are not
discussed, but that everything that now happens in Cavalheiro is the logic
consequence and result of an excellent Primeiro (the project’s 1st album) where
the future of the present time was already there.
We
love bands because, somehow, they always offer us and in time, songs that are
part of the soundtrack of our life. Each one, in different styles and genres,
fill moments we will never forget; they are like a perfume: enliven our memory;
reminding us of past people and contexts. In the repertoire of Cavalheiro there
are some songs that are definetely part of the soundtrack of my life.
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| Cavalheiro |
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| Cavalheiro |
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| Cavalheiro |
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