Wednesday, 5 February 2020

Fat White Family w/ Cancro (support act), Hard Club, Porto, 04.02.2020.

Fat White Family © Raquel Pinheiro

 
words & photos: Raquel Pinheiro

Portuguese band Cancro had the ungrateful task of opening for Fat White Family. Mostly, because of poor sound quality. For those, like myself, unfamiliar with them, it was hardly possible to access what they were playing. All I managed to come up with, was that they have a lot of energy and, at times, live, the vocals resembled Adolfo Luxúria Canibal of Mão Morta and Manel Cruz of Ornatos Violenta.

Then, come Londoners Fat White Family. The audience was there for them and, from the start, they were welcomed in a worshiping way. Anyone who knows Fat White Family is aware they have trailed the path of many a band. The ups, the downs, flirting with the abyss, if not nearly, or really, falling into it, firing members, re-hiring them and the rest of the litany of rock’n’roll.

From Autoneutron, the opening song to the finale with Tastes Good With That Money, it was an exhilarating thrill. If during the first three songs things seemed to float in a less raucous, speedy, danceable mode, a journey probably better enjoyed under mind altering substances. By Fringe Runner, Lias Saoudi did an impromptu dive into the audience, ending crashed on the floor.

He soon recovered, was helped back to the stage, seated there for a while, leaning closely to the audience that was loving every second of it. The party carried on. It didn’t took long for Lias to unbuttoned his shirt, picked a Guinness can and drank from it. As the evening went on, the music got more intense, turning Hard Club’s Sala 1 into a disco.

Lias also kept pouring fire to gasoline. Shirt, off, picking a whiskey, or was it bourbon, bottle and drinking from it. Fat White Family, particularly Lias, behave on stage in a way now nearly absent from rock’n’roll. Loud, misbehaved, in your face. How many bands still drink from beer cans and a hard liquor bottle on stage, whistle, at the same time, more than totally looking the part, being the part itself? Not many.

They may be tamer and, as Lias told All Thing Loud some months ago “managed to pull through and abyss of self-destruction”, but they remain off, insane, intense, raw and direct. Disney come, they left. The audience called and called for the band to return, some giving up. Until, after a good while, they returned, played Tastes Good With The Money finishing with a big bang.


Fat White Family © Raquel Pinheiro

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